Reviewing Kikagaku Moyo for Pitchfork

Reviewed the latest from Kikagaku Moyo for Pitchfork.

Japanese underground artists possess a flair for myth-making, from Les Rallizes Dénudés’ shrouded history to eventual Boredoms founder Yamantaka Eye driving a bulldozer on stage for a gig. Tokyo’s Kikagaku Moyo have their fair share of good yarns since forming in 2012. The first song on their debut album was supposedly “written over a night spent jamming on a suspended footbridge in remote mountains,” while drummer Go Kurosawa took a significant period of time before starting the group living out of a backpack in Central America. Stone Garden, the band’s latest release, was recorded in a Prague basement during several near-continuous days of improvising, and then pieced together back in their hometown. The real hook, though, is that the five-song album finds a band who’s attracted attention for a folk approach to psychedelic rock showing off their experimental and often messy side.

Read the full review here.

By | 2017-06-01T00:32:35+00:00 June 1st, 2017|Japan, Music|Comments Off on Reviewing Kikagaku Moyo for Pitchfork